Gee, Paperclips are Expensive...

Archival supplies are often the overlooked backbone of special collections. Imagine if we didn’t have boxes to hold all those priceless papers, or rubber stamps to warn everyone that the enclosed tintypes were “FRAGILE”?

Stainless Steel Paperclips

Boxes, folders, envelopes, interleaving paper: all of these things have been specially made treated to be acid-free, lignin-free, and archivally safe for the materials we store in them. They are designed to extend the life of our collections by preventing items from shifting during transport, or letting users grab a sturdy folder instead of a delicate manuscript. Some boxes and folders are chemically engineered to absorb oxidative gases from items like old newspapers, preventing them from yellowing or damaging other papers that might be stored in the same box.

Specially designed supplies usually result in extremely expensive supply costs for a special collections library. Regular cardboard boxes can cost as little as a dollar, while our archival boxes for letter-sized paper cost as much as $10. Oversized material requires extra-large folders and boxes, which can run as much as $40 per box! Even tiny supplies pack a punch: stainless steel paper clips, for example, cost a whopping 8 cents per paper clip. Regular paper clips are much cheaper (less than 1 cent), but they also rust and damage paper.

As archivists, we want to protect our collections so they will last as long as possible. Special supplies, while expensive, are critical to our success.

Post contributed by Meghan Lyon, Technical Services Assistant.

Commercials in the Classroom

How have TV commercials changed over time? The answer to part of that question is found in this video about AdViews. Five Duke undergraduates discuss their small group project using commercials found in AdViews as primary sources for a fall 2009 Markets & Management Studies class taught by George Grody.

Using AdViews, the students compared a number of historic 1960s and 1970s commercials with corresponding ones from today. The students analyzed commercials for Hardees, Schick, Bounce, Pledge, and perfume, finding both interesting similarities and drastic contrasts that reflect the branding strategies of each time period.

AdViews, a digital archive of over 8,000 vintage television commercials dating from the 1950s to the 1980s, is one of the newest resources available from the Hartman Center for Sales, Advertising & Marketing History.

The Hartman Center collects and provides access to commercials, print ads, books, and other documents chronicling the advertising and marketing of products from the mid 19th century to the present. Our staff also provides targeted presentations to a wide range of classes each semester, helping to integrate primary source material into subjects ranging from Anthropology to History to Visual Studies, and most anything in between. Students are able to discover not only how TV commercials have changed, but how advertising tracks the evolution of not only the ad industry but also of society itself.

If you are interested in learning more about AdViews, classroom presentations, or research assistance, please contact the Hartman Center Reference Archivist at hartman-center(at)duke.edu or 919-660-5827.

Post contributed by Lynn Eaton, Hartman Center Reference Archivist.

Drawing Feminism

Date: Tuesday, 15 June 2010
Time: 3:30 PM
Location: Rare Book Room
Contact Information: Kelly Wooten, 919-660-5967 or kelly.wooten(at)duke.edu

Detail of portrait of Irene Peslikis by Alice Neel. From the Irene Peslikis Papers.

The summer research project season is in full swing!

Next Tuesday, Katie Anania, graduate student in Art History at the University of Texas-Austin and recipient of a Mary Lily Research Grant, will discuss her research on the feminist adoption of drawing as an intimate means of artistic expression.

Anania's research at the RBMSCL has focused on the Irene Peslikis Papers and the Kate Millett Papers.

Light refreshments will be served.

For more about feminism and art, visit "Stretching the Canvas: Women Exploring the Arts" and "The Feminist Art Movement, 1970s-1980s," online versions of two exhibits prepared for the Sallie Bingham Center for Women's History and Culture's 2007 symposium, Neither Model Nor Muse: Women and Artistic Expression.

Calling All Campers!

"Canoeing at Camp Teconnet." From the New England Girls' Summer Camps Photograph Album.

These days are filled with happiness,
Encouragement, and zest.
Companionship we never lack,
Or chance to play—or rest;
No silly rules there are, and yet,
No doubt of loving care.
Each girl has opportunities
To serve, enjoy, and share.

—From a 1917 brochure about Camp Teconnet

In 2008, we made a lucky find in a rare book dealer’s catalog: a lovely New England girls' summer camp photograph album. We were utterly charmed by this album of black and white photos of girls at Camp Mascoma, in New Hampshire in 1916 and Camp Teconnet Maine in 1917. The unidentified teenage girl who created this album clearly had a wonderful time swimming, canoeing, and sitting around campfires with the friends she made, each with her own nickname like “Parsnips.”

The album also included material clipped from a promotional brochure about Camp Teconnet, which described camp life as “the wisest and sanest solution of the vacation problem for girls.” The brochure also proclaimed, “Physical measurements are taken at the beginning of the season for each camper and from these the 'Missus' and councilors form the foundation for the work with the individual, encouraging here and holding back there, so that the end of the season may bring its own reward in better health and physique.” These girls certainly do look healthy and fit!

You'll find a detailed description of this album here. If you'd like to look through the album yourself and reminisce about your own days at camp (or if you have any questions about the album), e-mail us at special-collections(at)duke.edu.

Post contributed by Kelly Wooten, Research Services and Collection Development Librarian for the Sallie Bingham Center of Women's History and Culture.

"Waiting for Dinner." From the New England Girls' Summer Camps Photograph Album.

A Jazz Master's Papers Come to Duke

Frank Foster, ca. 1970s.
From the Frank Foster Papers.

The Jazz Archive at Duke University announces the recent arrival of the Frank Foster Papers. Foster is one of the leading jazz saxophonists, big band leaders, and composer/arrangers of the post-World War II era. While serving as the primary arranger for the Count Basie Orchestra since the 1950s, Foster continued to compose and arrange for a variety of ensembles, receiving two Grammy Awards in the 1980s for his work. In 2002, Foster received the Jazz Masters Award from the National Endowment for the Arts.

The papers (which range from 1927 to 2009) reveal Foster's personal and professional lives. Scores and parts composed or arranged by Foster for jazz big bands, as well as business records, publicity, reviews, and news clippings documenting Foster's career, are complemented by personal correspondence, photographs, and a variety of Foster's own prose writings. There are also roughly fifty hours of concert recordings featuring various bands Foster performed in.

While portions of the papers are currently open for research, the entire collection should be processed and available for use by the fall of 2010. If you'd like to arrange a visit to view the collection, or if you have any questions, please e-mail us at special-collections(at)duke.edu.

Post contributed by Jeremy Smith, Jazz Archivist.