Thanksgiving in Pittsburgh

A wooden postcard (ca. 1910) from our Postcard Collection. 

Happy Thanksgiving, everyone! 

(Click images to enlarge.)

Final Papers, Meet New Finding Aids

Time to get cracking on those final papers? Start your research with one of the collections described in these brand-new finding aids!

African American Miscellany, 1757-1983

This collection of approximately 400 print and manuscript items relating to African and African American history was assembled over a number of decades by the staff of the RBMSCL. These documents—largely from the southern United States—speak to the sales, escapes, and emancipations of slaves from colonial times through the Civil War, the civil rights era from 1950-1970, and to a lesser extent, the period in between the 1870s and the 1950s.

South Africa Documentary Photographs Collection, 1940s-2007 and undated

Metal artist Titus Moteyane, Atteridgeville, Pretoria, 1984. Gisele Wulfsohn. From the South Africa Documentary Photographs Collection.

Acquired as part of the Archive of Documentary Arts, the South Africa Documentary Photographs Collection consists of four series of photographs documenting South African social conditions under and after apartheid, dating from approximately the 1940s-2007: Beyond the Barricades, The Cordoned Heart, Then and Now, and Underexposed. Each series originated in an exhibition, book, or project developed jointly by Duke University and South African institutions. The collection represents work by 45 South African photographers, many of whom were members of Afrapix, a collective photography agency that was politically active in the 1980s, or were otherwise active in documenting anti-apartheid struggle.

Louanne Watley Photographs, 2002-2010

The photographs and supporting materials created by Louanne Watley depict communities of Catholic nuns in Indiana, Kentucky, North Carolina, and Virginia, and images of their religious life in those communities. She typically focuses on the women’s individual faces, hands, and feet. There are also a few images of monks and their communities as well. The formats are primarily black-and-white prints with some color prints, contact prints, Polaroids (diffusion transfer process), large color inkjet prints, and negatives. As with many Archive of Documentary Arts collections acquired in recent years, digital scans of Watley’s work are also included.

Walter McGowan Upchurch Papers, 1841-1977

Walter McGowan Upchurch, Jr. served as a member of Duke's Board of Trustees and was senior vice-president of Shell Companies Foundation, Inc. This collection contains personal correspondence among members of the Upchurch family, including correspondence between Upchurch and his brother during World War II, when they were both serving in the U.S. Navy; professional correspondence concerning Duke University administrative affairs; and genealogical materials for the Upchurch, Daniel, and Meadows families of North Carolina. Additional materials include Shell Development Company records on personnel issues such as labor relations and salary administration at the progressive Emeryville Laboratories; and Shell Companies Foundation records from 1963 to 1974, chiefly relating to the foundation's endowments, scholarships, grants, and donations. The Duke University Archives also holds a smaller collection of Upchurch's papers.

Please remember that many RBMSCL collections are stored off-site in our wonderful Library Service Center and need to be requested by RBMSCL staff members at least 24 hours before your research visit. We encourage you to e-mail special-collections(at)duke.edu for assistance.

D is for Diaries, Drama, and Dracula

Buck and his chewing gum.

I’m lucky. As a volunteer at the RBMSCL, I’ve been creating finding aids for small manuscript collections—collections such as love letters and travel diaries from the 19th century—which can be more compelling than any historical novel. One in particular I found to be especially memorable is the John Buck Diary.

Elaborate script and comic sketches recount the eight week long vacation in England and Scotland in 1887 of John Buck, an affluent, young American who spent several days in close company with Henry Irving, the famous English actor; the equally famous actress and Irving’s rumored paramour, Ellen Terry; and the business manager of the Lyceum Theatre as well as Irving’s personal assistant, Bram Stoker. Yes, the Bram Stoker who later wrote Dracula. His visit begins with the Royal Lyceum's performance of another popular demonic tale:

I reached Edinburgh at seven o’clock and was met by Mr. Stoker. He took me to the Edinburgh Hotel (close by the station) where Mr. Irving was staying. . . . Mr. Stoker after fixing me comfortably hurried away to the theatre and I had my dinner served in Mr. Irving’s dining room. The dinner was good but I was so anxious to see some of "Faust" that I left at the end of the third course and jumping into a hansom drove to the Royal Lyceum Theatre, where I found Mr. Stoker “laying” [?] for me. He . . . took me into the only remaining private box. Mephistopheles was just transforming Faust into a young man as I entered the box, so I had not missed much of the play. . . . At the end of the act Mr. Stoker took me around [to the stage] to see Mr. Irving and Miss Terry. . . . While we were chatting and I was being questioned about “home affairs” the scene shifters were building Marguerite’s room around us, and very soon I was compelled to "skip" as the curtain was about to be rung up. . . . Mr. Irving was grand, and he will make a tremendous hit with Faust in America. (pages 67-70)

The diary is so extraordinarily descriptive and entertaining; it is as if Buck, who loved the theater, were writing the storyline for his own theatrical play. At times, I could imagine his diary recast as a BBC period drama! Equally remarkable is the extent to which Buck’s personality is so clearly revealed. He was sometimes irreverent and informal, even when visiting the Duke of Beaufort at Badminton House in Gloucestershire, highly competitive, a bit arrogant, and more interested in pretty young women, having fun, and socializing than sightseeing; he seemed so American, and so amazingly like a few modern young men that I have known.

One of Buck's sketches.
Happy Halloween!

Post contributed by Danielle Moore, RBMSCL Technical Services volunteer.

My RBMSCL: Reading Dorothy Allison

Today, we're starting a new feature: mini-essays from friends of the RBMSCL on the collections they've used and treasured. Below, Sharon Holland's mini-essay about Dorothy Allison was inspired by the RBMSCL's recent acquisition of Dorothy Allison's papers. 

Photo courtesy of Sharon Holland.

I first encountered Dorothy Allison's major work, Bastard Out of Carolina, on an overnight train (the Orient Express, no less) from Vienna to Paris. I wasn't prepared for what would eventually happen in the book and when I got to the fateful scene in the car outside the hospital, I impulsively threw the book out of the window—it is still in a field somewhere along the train line. My reaction is a testament to the importance of the scene of violation that Allison wanted to construct for the reader—it was real, and sudden and devastating. I purchased the book upon my return to the United States and it has been one of my favorites since. Acquiring her papers is a serious accomplishment for Duke. Thank you for preserving the work and ultimately the memory of one of the most important feminist authors of the 20-21st century.

Post contributed by Sharon Holland, Associate Professor, English and African and African American Studies, Duke University.

Interested in contributing a mini-essay? E-mail me at amy.mcdonald(at)duke.edu!

Dorothy Allison Papers Arrive at Duke

In the early 1990s Ginny Daley, then director of the Sallie Bingham Center for Women’s History and Culture, was convinced that Duke should acquire Dorothy Allison’s papers. "I saw her as the quintessential Southern writer,” Daley wrote recently. “Her personal papers and literary works fit well with Duke’s collections of Southern literature and women’s culture, while bringing fresh perspectives on queer culture and truth-telling to the mix.” Through campus visits and other seed-planting efforts, Ginny Daley introduced Ms. Allison to the possibility of Duke as the permanent home for her collection.

Photo by Brett Hall.

Now, after a nearly twenty year period of considering this momentous decision, Dorothy Allison, author of Bastard Out of Carolina and other works and renowned activist in the LGBTQ community, has selected the RBMSCL to be the repository for her papers. Bingham Center and literary curatorial staff collaborated on the initial acquisition of nearly 60 boxes of Allison's papers, including drafts of her writings, extensive correspondence and research files, personal journals documenting her life and creative process, and more. For Allison, a South Carolina native now living in California, it's a relief to have the papers at the RBMSCL: “All I know is that now I feel that all that . . . I saved is going to be safe and of use. Since we are entering high summer here with 90 degree temperatures and high risk of fire, I can also stop worrying that a wildfire might sweep through the redwoods and erase all that history. Safe and of use is infinitely preferable.”

The papers will be a rich resource for those interested in Allison’s life and work, as well as for researchers exploring the development of LGBT and Southern literatures, lesbian communities and families, and the history of American sexuality, among many other topics. Materials will be added to the collection as Allison continues to write and publish (a new book of short stories and a novel coming soon!).

A preliminary finding aid for the collection is now available here. In the coming months staff will review, process, and revise the finding aid for the collection to make it available for research. Researchers interested in using the papers should contact the Bingham Center staff to discuss their availability.

Post contributed by Will Hansen, Assistant Curator of Collections.

Hot New Finding Aids!

Is the heat wave getting to be too much to bear? Head on over to the RBMSCL and do some research in our cool reading room!

Full Frame Festival Program, 2007. From the Full Frame Archive Film Collection.

Full Frame Archive Film Collection, 1998-2010

The largest film festival in the United States entirely devoted to documentary film, the Full Frame Documentary Film Festival has been an annual highlight of Durham's cultural scene since 1998.

In 2007, Duke University Libraries and Full Frame, with support from Eastman Kodak and Alpha Cine Labs in Seattle, announced the creation of the Full Frame Archive, to be housed at the RBMSCL, with the aim of acquiring, archiving, and preserving copies of all of the Festival's award-winning films. The Full Frame Archive Film Collection comprises preservation masters of documentary films that won awards at the Full Frame Film Festival between 1998 and 2010. Each year's festival will bring new additions to the collection!

Confederate States of America Collection, 1850-1876

One of our older collections has a brand new finding aid. This perennially-popular collection includes a wide variety of records from the administrative bodies within the Confederate States of America, including original and typed copies of acts and statutes of the C.S.A. Congress, Army soldiers' correspondence and papers of several Army units, and records from the Treasury Department. There might even be a clue about the lost Confederate gold!

Calling All Campers!

"Canoeing at Camp Teconnet." From the New England Girls' Summer Camps Photograph Album.

These days are filled with happiness,
Encouragement, and zest.
Companionship we never lack,
Or chance to play—or rest;
No silly rules there are, and yet,
No doubt of loving care.
Each girl has opportunities
To serve, enjoy, and share.

—From a 1917 brochure about Camp Teconnet

In 2008, we made a lucky find in a rare book dealer’s catalog: a lovely New England girls' summer camp photograph album. We were utterly charmed by this album of black and white photos of girls at Camp Mascoma, in New Hampshire in 1916 and Camp Teconnet Maine in 1917. The unidentified teenage girl who created this album clearly had a wonderful time swimming, canoeing, and sitting around campfires with the friends she made, each with her own nickname like “Parsnips.”

The album also included material clipped from a promotional brochure about Camp Teconnet, which described camp life as “the wisest and sanest solution of the vacation problem for girls.” The brochure also proclaimed, “Physical measurements are taken at the beginning of the season for each camper and from these the 'Missus' and councilors form the foundation for the work with the individual, encouraging here and holding back there, so that the end of the season may bring its own reward in better health and physique.” These girls certainly do look healthy and fit!

You'll find a detailed description of this album here. If you'd like to look through the album yourself and reminisce about your own days at camp (or if you have any questions about the album), e-mail us at special-collections(at)duke.edu.

Post contributed by Kelly Wooten, Research Services and Collection Development Librarian for the Sallie Bingham Center of Women's History and Culture.

"Waiting for Dinner." From the New England Girls' Summer Camps Photograph Album.

A Jazz Master's Papers Come to Duke

Frank Foster, ca. 1970s.
From the Frank Foster Papers.

The Jazz Archive at Duke University announces the recent arrival of the Frank Foster Papers. Foster is one of the leading jazz saxophonists, big band leaders, and composer/arrangers of the post-World War II era. While serving as the primary arranger for the Count Basie Orchestra since the 1950s, Foster continued to compose and arrange for a variety of ensembles, receiving two Grammy Awards in the 1980s for his work. In 2002, Foster received the Jazz Masters Award from the National Endowment for the Arts.

The papers (which range from 1927 to 2009) reveal Foster's personal and professional lives. Scores and parts composed or arranged by Foster for jazz big bands, as well as business records, publicity, reviews, and news clippings documenting Foster's career, are complemented by personal correspondence, photographs, and a variety of Foster's own prose writings. There are also roughly fifty hours of concert recordings featuring various bands Foster performed in.

While portions of the papers are currently open for research, the entire collection should be processed and available for use by the fall of 2010. If you'd like to arrange a visit to view the collection, or if you have any questions, please e-mail us at special-collections(at)duke.edu.

Post contributed by Jeremy Smith, Jazz Archivist.

Your Bloomers Are Showing

Cover of "The Bloomer's Complaint," 1851.

According to an informal and completely unscientific survey, five out of the eight women who work in the RBMSCL's reading room are wearing pants today. This might not be the case were it not for the efforts of Amelia Bloomer, early feminist and fashion pioneer, who celebrates her 192nd birthday today.

To honor Amelia, we quote from a 6 August 1851 letter from University of North Carolina chemistry professor Benjamin Sherwood Hedrick to his future wife, Mary Ellen Thompson (from our Benjamin Sherwood Hedrick Papers). Remarking on current cultural matters from his position at the Nautical Almanac in Cambridge, Massachusetts, he writes:

There is something said every day or two about 'Bloomers.' I have seen several of them and like them. The young ladies have changed the fashion of putting up their hair, combing it up and back, something like what is vulgarly called a 'cow-lick.' I do not like it.

Professor Hedrick's progressive opinion on the bloomer suit was not widely shared. Witness the chorus of "The Bloomer's Complaint," a charming song also from 1851:

I'll come out next week, with a wide Bloomer flat
Of a shape that I fancy will fright them,
I had not intended to go quite to that,
But I'll do it now, only to spite them—
With my pants "a la Turque,"
And my skirts two feet long
All fitting of course, most completely
These grumblers shall own after all, they are wrong,
And that I, in a Bloomer, look sweetly,
And that I, in a Bloomer, look sweetly.

Thanks to Mitch Fraas, RBMSCL Research Services intern, for suggesting this post.

Who Is That Mustached Man?

I wasn't looking for a "superstar" photograph in a collection, but I found it anyway. I'm Josh Hager, a student in North Carolina State University's Public History Masters Degree program and an alumnus of Duke (B.A., History and French Studies). For a class at NCSU, I was working with the RBMSCL's Technical Services department to process the James Thomas Powers Papers. By process, I had to examine each item in the collection, arrange the items in fashion that made professional and practical sense, and write a finding aid for the collection so that users could examine the papers. (By the way, Powers was a famous Vaudevillian and all-around entertainer on Broadway from the late 19th to the early 20th centuries.)

John Wilkes Booth, undated. From the James Thomas Powers Papers.

The best part of the collection is its photographs. There are over 200 prints, including tintypes, cartes-de-visite, and cabinet cards. These prints depict Powers and his family in theater settings, as well as in personal shots depicting social life in the early 20th century. One photograph stands out as a unique find. Within some photos of relatives of Powers' wife Rachel Booth Powers, I ran into a familiar image. There was neither a label nor a date on the back, which isn't unusual in archival collections. However, I knew this picture was one of the most infamous men in American history. After doing a Google Image search to confirm the identity and conferring with other staff members, we reached a definite conclusion: I had found a new photograph of John Wilkes Booth. The albumen cabinet card, taken in New York state, shows the famous assassin in profile. I can’t be sure, but because of the style of Booth’s clothing, his personal history, and the history of the cabinet card format, I’d place this photograph in the early 1860s; it could be before the Civil War or near its conclusion, making the lack of a recorded date frustrating.

What is this photo doing in James Thomas Powers' papers? Rachel Booth and John Wilkes Booth were likely (distant) relatives in the famous Booth acting family, although I cannot find any definite proof of this. No matter its provenance, the find itself is quite exciting. I can find no exact duplicates of it online so it might be unique. Even if it isn't, it is yet another exciting addition to the Powers papers and to the RBMSCL's collections.

Post contributed by Josh Hager, RBMSCL Technical Services field experience student.

A Sculptor in the Stacks

A photo of Rodin's Psyche et l'Amour. From the Dawson Family Papers.

All of the hoopla surrounding the grand opening of the North Carolina Museum of Art's expansion this past weekend, including the unveiling of 29 sculptures by Auguste Rodin, reminds us of a few items in the RBMSCL stacks: a 1911 volume of Rodin's conversations with Paul Gsell entitled L’Art, inscribed by Rodin to Warrington Dawson, and two caches of Rodin letters.

Warrington Dawson (formally, Francis Warrington Dawson, Jr.) was an American novelist and journalist who lived in Paris for most of his life. He tells of how he came to know Rodin in a 1913 letter to James Brand Pinker, printed in Duke Professor Emeritus Dale B.J. Randall’s volume Joseph Conrad and Warrington Dawson: The Record of A Friendship:

I first met him [Rodin] in 1899. . . . I called as a newspaper correspondent to write an article about his work, but he was struck by my comments and invited me out to his house at Meudon. He told me that I had the knack of expressing in words just what he had expressed in stone or bronze. . . . Some ten or eleven years ago I was first privileged to see his notes, and I recognized their great value; I proposed to him then that he should allow me to prepare them for publication. He promised me that I alone should do this work when he was ready for it, but did not feel that the time had yet come when the public was prepared.

This collaboration was never completed, and the friendship dissolved, but Dawson’s transcriptions and translations of Rodin’s French notes and his correspondence with Rodin survive in the Dawson Family Papers here at the RBMSCL. The papers also include a few striking contemporary photographs of Rodin’s sculptures.

There are also seventeen letters from Rodin to Marie Hopkins, dating from 1904 to 1915, in the Field-Musgrave Family Papers. Rodin’s gorgeous penmanship in many of these letters is a lovely and understated accompaniment to his epic sculptures now on display down the road in Raleigh.

Post contributed by Will Hansen, Assistant Curator of Collections.

The Story of the 6,487 Books

On this day in 1800, Congress approved the creation of the Library of Congress (here's the birthday blog post from the Library of Congress Blog). By 1814, the collection numbered some 3,000 volumes, many of which burned when the British army invaded the capital city in in August.

On 30 January 1815, Congress and President James Madison turned to former President Thomas Jefferson to help rebuild the library's collection. Jefferson was offered $23,950 for his Monticello library of 6,487 volumes.

That very week, on February 3rd, Francis Calley Gray and George Ticknor arrived at Monticello to pay a visit of a few days to their friend Mr. Jefferson—a visit which Mr. Gray meticulously recorded in his diary, which we hold here at the RBMSCL.

Francis Calley Gray's diary. Nice handwriting!

The morning after a welcoming dinner—complete with silver goblets engraved "from G.W. to T.J."—Mr. Jefferson had prepared a special treat for his guests, both bibliophiles and collectors. As Gray wrote in his diary:

Mr. Jefferson gave me the catalogue of his books to examine + soon after conducted us to his library, + passed an hour there in pointing out to us its principal treasures. His collection of ancient classics was complete as to the authors but very careless in the editions. They were generally interleaved with the best English Translations. The Ancient English authors were also all here + some very rare editions of them. a black letter Chaucer + the first of Milton’s Paradise Lost divided into ten books were the most remarkable. . . . Of all branches of learning however relating to the History of North + South America is the most perfectly displayed in this library. The collection on this subject is without a question the most valuable in the world. Here are the works of all the Spanish [travelers?] in America + the great work of De Brie in which he has collected latin translations of the smaller works published by the earliest visitors of America whose original publications are now lost. It is finely printed + adorned with many plates. Here also is a copy of the letters of Fernando Cortes in Spanish, one of a small edition, + the copy retained by the Editor the Cardinal Archbishop of Toledo for himself, but given by him to the American Consul for Mr. Jefferson.

On February 27, following his friends' departure, Mr. Jefferson wrote to bookdealer Joseph Milligan (letter provided by the Library of Congress) to request his assistance in transporting the entire collection to Washington, D.C. These 6,487 books, some of which Mr. Gray had the good fortune to see, now belonged to the American people.

Sadly, an 1851 fire destroyed much of the Library of Congress' collection, including two-thirds of Jefferson's library. Which prompts us to remind everyone that MayDay is coming!

Thanks to Crystal Reinhardt, University Archives Graduate Student Assistant, for helping with this post.

April Showers Bring New Finding Aids!

Our technical services archivists have created a veritable deluge of new finding aids for some of our older collections. All of the following collections are open for research. Please contact the Special Collections Library at special-collections(at)duke.edu with any questions.

Japanese Matchbox Label Collection, circa 1910

400 vividly-colored Japanese matchbox labels are mounted in a contemporary paper album and housed in a custom-made cloth box. Unfortunately, the name of the person who created this marvelous collection is unknown.

Ann Atwater Interviews, 2006

Master and use copies of Jeff Storer's oral interviews with Ann Atwater, an African-American civil rights activist based in Durham regarding her friendship with Ku Klux Klan leader C. P. Ellis.

Montrose Jonas Moses Papers, 1789-1960

The papers of this drama critic, journalist, and author of works on American and European drama and on children's literature includes correspondence with giants of the turn-of-the-20th-century theater, including Eugene O'Neill, Percival Wilde, David Belasco, and Margaret Anglin.

Thomas Lee Settle Papers, 1795-1949

The papers of this Virginia surgeon, said to have pronounced the death of abolitionist John Brown, shed light on the practice of medicine in the 19th century. Of particular interest are documents detailing Settle's own medical service for the 11th Virginia Cavalry.

Patricia Derian Papers Coming to Duke

The Archive for Human Rights has signed an agreement with Patricia Murphy Derian to serve as the repository for her papers, which document her long career in human rights.

Patt, as she is known to friends and family, was involved in the civil rights struggles in Mississippi prior to being tapped by President Jimmy Carter to head the newly-minted Bureau for Human Rights and Humanitarian Affairs. In 1977, she became the nation's very first assistant secretary for human rights.

Her papers consist of country files, general files, correspondence, and a collection of audio and video interviews. Processing of the collection will begin immediately and should be complete by summer of 2010. If you'd like to arrange a visit to view the collection, or if you have any questions, please e-mail us at special-collections(at)duke.edu.

Post contributed by Patrick Stawski, Human Rights Archivist

Because Thomas Jefferson Said So

And now for a brief history lesson. George Walton was the governor of Georgia for two months in 1779 and then from 1789 to 1790. We found this letter (click image to enlarge) from then-Secretary of State Thomas Jefferson among the small collection of Walton's papers housed at the RBMSCL. Jefferson writes that he is sending Walton "two copies duly authenticated of the Act providing for the enumeration of the inhabitants of the United States." Jefferson is referring, of course, to the Census Act of 1790, which authorized the first census of the inhabitants of the new United States.

The census, you see, is very dear to the archivist's heart. We often use census records, whether it's to learn about families from long ago whose papers we're processing or to help researchers discover information about their great-great-great grandparents. So we hope you won't mind our appeal to you to carefully fill out and mail your census forms. After all, we have Thomas Jefferson's authority behind us.

RBMSCL Scholars: Emily Herring Wilson

We're beginning a new feature today! We've asked some of the wonderful authors and scholars that the RBMSCL has hosted over the years to contribute a few words on their new books and research projects. We're going to start with an essay from Emily Herring Wilson, editor of the newly-released Becoming Elizabeth Lawrence: Discovered Letters of a Southern Gardener.

Years of research for a life of North Carolina garden writer Elizabeth Lawrence (1904-1985) led me many places, but none more inviting than my trips to Duke’s Special Collections Library, where I found hundreds of letters in the Ann Preston Bridgers Papers that brought Lawrence to life as no other materials, including interviews with family and friends who had known her. As I went through box after box of letters from Elizabeth to Ann (all beautifully catalogued by Janie Morris), I discovered a collection that not only informed the biography I wrote about Lawrence (No One Gardens Alone) but gave vivid testament to the importance of women’s friendships. (Bridgers, a successful playwright and a founder of the Raleigh Little Theatre, was teaching young Elizabeth how to write and how to live, all vividly revealed in the letters.) This month John F. Blair, Publisher, released my edited collection, Becoming Elizabeth Lawrence: Discovered Letters of a Southern Gardener. Among the books I have been privileged to write or edit, it is my favorite because of the charm and intelligence of a private life.

These letters from Elizabeth to Ann are lively with gossip, anecdote, reflection, regret, aspiration, and love—the love of friends, the love of gardens, and the love of literature. I still regard it as a miracle that they were not destroyed after Ann’s death in 1967 but ended up in the Bridgers Papers. I hope that you will read them and enjoy them as much as I did.

Ashkar-Gilson Manuscript in the News

The RBMSCL's Ashkar-Gilson Manuscript is currently on display at Jerusalem's Israel Museum where it has been reunited with another fragment from the same 1,300-year-old scroll.

The story of the reunion of these two manuscripts, which contain portions of the Song of the Sea, was picked up on the AP wire. Here's a link to the article as it appeared in the Miami Herald.

This photo of the Ashkar-Gilson manuscript was taken with special lighting so that the writing on the aged manuscript could be seen.

A Valentine's Day Puzzle

William Tell Steiger, undated

In November 1828, William Tell Steiger wrote in his notebook that he had presented his beloved Ann Maria Shriver with an anagram: "O evil here I am at."

He continues, "she deciphered it and returned an anagram in answer containing the following: 'That love deserves to be returned.'"

Three years later, the couple married on September 20th.

We leave you to puzzle out the first anagram. And yes, Ann Maria Shriver was the great-great-great aunt of journalist and First Lady of California Maria Shriver.

Bundled Up and Ready for School

These cheerful and warmly dressed children, enrolled in Durham’s Scarborough Nursery School, were posed on the front steps for a class photograph on a chilly day in 1932. But this was 1932, during the depths of the Great Depression. Durham was in the heart of the Jim Crow South.

The significance of this progressive school is tremendous. Founded by Mrs. Clydie Fullwood Scarborough, it provided effective and healthy daycare for African American children. With a safe place for their children, mothers could confidently work and help provide the family with necessities, including these little coats and hats.

The detailed inventory of the Clydie F. Scarborough Papers, 1818-1984, which documents her work, is available here. For more information on using this collection, contact the RBMSCL staff at special-collections(at)duke.edu.

Post contributed by Elizabeth Dunn, Research Services Librarian

Happy 2010!

This lovely album card from Mary J. Horton's scrapbook album perfectly expresses our sentiments for you, dear readers, on this first day of this new decade.